Finding Florence – Page 3 – FUA-AUF Student Blog

Hidden but Not a Secret: The Underground World of Mercato delle Cascine

A historic open-air market where Florentines gather to sell and find clothes, food, household items, and anything else you could possibly imagine. There is a vintage presence along with a modernized vision occurring here.

written by Meredith Simpson, Amelia Mora, Alaura Cross, Sabrina Harris & Katie Brooks

This blog feature is an exclusive bonus installment to our Spring issue of Blending Magazine. After you finish reading, be sure to explore the rest of the magazine online—just follow this link to download the full Spring 2025 edition:
https://jschoolfua.com/images/BM/BM_151.pdf

As you enter the 1.5-kilometer-long market, the hum of bargaining surrounds you–an elderly woman haggles over schiacciata bread while a mother negotiates the price of pecorino cheese. The freshly roasted porchetta drifts through the air, mixing with the scent of sun-warmed leather from handcrafted belts displayed on a nearby stall. The sight of endless crowds moving between stalls, clutching canvas bags brimming with colorful produce, is overwhelming. A sense of curiosity stirs inside from the “offerta €1.50” signs. You wonder: Is this an authentic Italian bargain or just a tourist trap?

Il Mercato delle Cascine is the largest and cheapest open-air market in Florence, with its origins traced back to the 19th century. The market started as a place for Florentines to gather weekly to buy necessities at a bargain price. It is located in the biggest park in Florence, Parco delle Cascine, along the Arno River, and remains in the same location. During the ‘80s, the market stood as a place for authentic Italian vendors to come and sell their products to locals. The market’s products reflected Italian craftsmanship, and vendors were often Florentine families who had been selling for generations. Vendors and customers knew each other, and shopping here felt like an extension of local culture rather than a transaction. The market fulfilled every need, from groceries to clothing and household items. You could find a cobbler selling hand-stitched leather shoes beside a seamstress repurposing vintage silk scarves into elegant blouses. It was an integral part of the Florentine community to go and find truly vintage items.

Since the ’80s, the market has grown beyond its original Italian roots, reflecting a wave of globalization. As Florence became a prime tourist destination, its markets shifted to cater to new demands. In the past, every item was locally sourced—whether it was a handmade ceramic bowl or a handwoven scarf. Now, the merchandise tells a different story. There is a new wave of vendors who sell low-grade clothing products for 3-5 euros. These products have been unethically produced, which contradicts the original purpose of the market. A stall once known for vintage linen shirts now sells polyester blouses with “Made in China” labels. Where artisans once handcrafted belts from Tuscan leather, now imitation leather accessories line the tables. They are often indistinguishable from real craftsmanship until you touch the synthetic material.

The arrival of new vendors has shifted products from locally sourced Italian goods to imported fast fashion. These goods have been replacing Italian leather with synthetic fabrics, yet are sold at the same price. One of the many clothing stalls sells dupe designer shoe brands like Alexander McQueen for 10 euros. This “sale” can give the market a less authentic atmosphere and offer these already inexpensive products at a price that feels like a bargain. It’s clear that these items are not vintage, nor are they part of Florence’s rich fashion history. But for many shoppers, price wins over authenticity.

One local who has visited the Cascine market for decades expressed how the impact of new merchandise has changed the market’s motive from what it was supposed to be. It was originally meant to be a place where locals would come to find second-hand items and give them a new life. Under some vendors’ tents, that’s still the case. You can find well-known re-purposed brands like Levi’s and Diesel for an amazing low price. The market is still successful in its own way, but the new generation of vendors has taken advantage of the authenticity as a way to make a profit on mass-produced fashion.

Some may see this shift as an evolution that keeps the market relevant, while others feel it dilutes Florence’s fashion heritage. The market is held only on Tuesdays from 7 a.m. to 2 p.m. and still flourishes today. The food still smells delicious, and the prices are still low. But is a bargain worth the shift in focus?

Travel Fatigue: The Day Trip For When You Need A Break From Day Trips

written by Hannah Johndrow for SPEL Public Relations

Because my study abroad term was only six weeks long, I packed in a lot of travel into such a short period of time. I didn’t know anybody else going abroad with me, so I didn’t plan any trips in advance as some other students do. I was initially worried that I wouldn’t be able to travel much on the weekends, or that I wouldn’t have anybody to go with.

I got along very well with my roommates, so we established a sort of unspoken travel group among the three of us. We were bad at planning ahead, so almost every trip we took was booked at the very last second. While I’m not here to recommend following our lead in that respect, I did take the time to compile an itinerary for one of my favorite day trips that I took during my time here in Florence. The constant travel on the weekends most definitely catches up to you, so this is the perfect day trip for when you just need a break from traveling, but still want to explore Italy!

Travel Tip

First of all, a quick disclaimer before we get into the full story. I’d like to share some advice for traveling in Italy! When traveling by bus or train, it is really important to understand their ticket validation system. This was a major culture shock for me. In the U.S., I’ve always bought my bus and train tickets on my phone, then was good to go. In Italy, however, many tickets require validation. There is often a machine outside of the bus/train station, or it may be on the actual bus/train.

It is extremely important that you validate your tickets, because they are not viewed as being valid tickets until they are officially validated (typically the machine will leave a stamp on your ticket with the time and date of validation). I learned this the hard way when I purchased a bus ticket but didn’t understand that I had to validate it. Within thirty seconds of getting on the bus, a ticket officer came up to me and asked to see the ticket, which he refused to accept as valid because I had not validated it. I was fined forty euro! So, beware of this important cultural difference.

The Elsa River Park

My favorite day trip was to the Elsa river, which is only an hour drive from Florence. The entrance to the river is called “Parco fluviale dell’Elsa o Sentier Elsa” on Apple Maps (which translates to “Elsa River Park”). While my friends and I drove there, there is a bus that takes you directly from Florence to the entrance of the park! I would suggest Google or Apple Maps to determine the quickest bus route.

What to pack:

● Swimsuit

● Towel (to dry off, and to sit on)

● Snacks

● Water bottle

● A camera (you’ll want to take pictures of the gorgeous turquoise water!)

I’d recommend leaving earlier in the morning so that you can have the whole day ahead of you (this goes for any day trip). It’s nice to get there before the crowds too. Once you get to the entrance of the park, there is a trail alongside the river. It was crowded the day I went because it was so hot, but we walked down the trail until we found an open spot to sit! Just walk the trail until you find a good spot. It’s nice to get there around lunchtime so you can sit down, eat, and then relax by the water for the rest of the day. I spent the whole day here when I went. I’d just gotten back from a day trip the day before and felt like I needed a more relaxing day, but I didn’t want to sit around either. This trip was perfect because I was able to explore a new place, and relax.

So, if you’re currently studying abroad at FUA, I hope you decide to explore this hidden gem! It’s the perfect escape from the Summer heat, and is off the beaten path of touristy spots.

From Coffee to Espresso & a Few Other Changes

written by Charlotte Cicero for SPEL Journalism

Ciao, my name is Charlotte Cicero. I’m a junior at the University of Missouri, and I had the privilege of studying abroad at FUA this past spring semester. For the past 15 weeks, I’ve been writing for the website you’re currently reading, and for Blending Magazine.

When I wrote my first blog post in January, I threw a corny title on what was pretty much a journal entry. For this final piece, without a corny title and with more structure and a little more wisdom, I want to reflect on some parts of that original post. So here we go.

“I’ve lived in Florence for a little over two weeks now. The adjustment has not been easy, and I think I’m still shocked that I’m finally living this dream that has just felt like some faraway plan for many, many years.”

Now I’ve lived in Florence for nearly four months. I’m not ‘shocked’ anymore, but instead in a constant state of wonder, curiosity, and awe of how much beauty I’ve witnessed in such a short time.

“This transition to Florence feels nothing like my transition to college. I’m still trying to decide if that’s a good thing, and I’m hoping it is. This transition feels almost unreal like I am still in the process of, well, processing.”

It turned out to be a great thing – change is supposed to feel like change. I’ve learned that new and different things create new and different comfort zones. At first, I felt behind my friends, like I was late to have the moment of “I’m really doing it! I’m finding myself in my twenties in Europe!” moment. But instead, I got to experience a buildup of little moments that over time made me realize that I was in my twenties, I was in Europe, and I was on the journey of finding myself.

“I walk the same streets every day. I can get to the store, the city center, and all my classes without Google Maps. I feel lucky that these streets feel so safe and familiar, but sadly, not like home. Not yet, at least.”

I still walk most of the same streets. But now I play around with different routes, knowing that if I make it to the city center, I’ll always find my way back.

The streets feel safe, and familiar, and they finally feel like home. I walk down my street and wave to Matteo and Alessio, who work at the Virgin Rock Pub. I wave at the owners of Cucina di Ghianda, the restaurant next to our apartment. I high-fived Muhammad, who owns the convenience store next door. They all say “Ciao, Charlotte!”. I don’t know them all that well, but seeing them every day reminds me of the quiet power of human connection and community.

“There’s something special about talking to the same employee at the coffee shop on your street every morning, sipping your espresso (that you’re still getting used to) as you muster up the courage to practice the new word you learned on Duolingo the previous night.”

That person became Sergio at Santa Croce Champagneria, right across from FUA. I introduced myself to Sergio before my first day of FUA orientation, poorly attempting to speak Italian and unaware that he’d remember my name. I’d get my homework done there and spend every in-class break grabbing another espresso (which I’m very used to by now). No comment on my Duolingo streak.

“I think what we all need to remember is to stop moving for a second. Breathe. Look at the Duomo and just breathe. Look at the dark green window panes on the top floor of every street and breathe. Before going out with your friends on ‘Space Wednesday,’ breathe. Staying present is the only way to appreciate what a gift this moment is, right? Because we don’t even have any idea just how good this is all going to get.”

Note to January Charlotte: this paragraph needed workshopping, but I’ll forgive it. Deep breaths are in fact important! I paused to breathe in moments I knew were becoming memories. Like the time I was in Orvieto, having a coffee and journaling, and the man I’d shared a train row with walked by. I wrote in my journal: “A sweet elderly man in a yellow raincoat just walked by with his little dog.” I smiled at him, but he didn’t see me. Every time I think of that memory, I tear up. Not because it was emotional, but because it was ordinary.

“I’ll see you at the end of the semester.”

Well, it’s the end of the semester. I’ve seen so many beautiful places, things, and works of art. I’ve seen life shift and stretch and swell with beauty, and met so many beautiful people.

I can’t wait to reread this in six months, just like I’m rereading that first blog post now, knowing I had no idea how good it was all going to get.

So, here’s my last reflection: Keep walking new streets, even if you’re scared to get lost. Keep saying “Ciao” to strangers, even if you’re not sure they’ll remember you. Someday, you’ll look back and realize it was never ordinary at all.

I’ll see you. Don’t stop traveling and live your life curiously. And never stop letting the world surprise you.

The Monster of Florence

“He came up with a perfect plan.”

written by Charlotte Cicero & Guido Togliatti

Beneath the romantic cobblestones and rolling hills of Florence, Italy, lies one of the most disturbing true crime stories in European history. Between 1968 and 1985, a series of gruesome double homicides occurred in the Tuscan countryside. Il Mostro di Firenze—The Monster of Florence—created a legacy of terror, controversy, and conspiracy, and a decades-long series of unanswered questions.

A Pattern of Death

The first known crime occurred in 1968, though it wasn’t immediately linked to the rest. It wasn’t until a similar attack in 1974 that authorities began to suspect a serial killer might be at large. For 17 years, the murders continued. As media speculation and fear grew, so did the number of victims.

Il Mostro di Firenze sought out young couples seeking privacy in rural areas and often attacked while the couples were in their cars. Throughout the serial murders, the weapon used was consistently the same—a .22 caliber Beretta pistol. The ritualistic elements in these murders pointed toward a deranged but highly meticulous criminal at work.

Insights from Florence

To better understand the grip this case holds on Florence, we spoke with Fabio Binarelli, a native of Tuscany and professor at The American University of Florence, who offered personal insight into the murders and their legacy.

Binarelli noted that the killings followed a consistent pattern: the male victim was shot first, followed by the female, who was also often physically mutilated—most often targeting the breast or pelvic region. “That’s what made it feel truly serial,” Binarelli explained.

The investigation was very complicated. Binarelli explained, “Today everything is on your laptop—but back then, to connect several files of investigation, you had to have one clever investigator who connected places and years with the details.”

Eventually, suspicion fell on Pietro Pacciani, a violent Tuscan farmer with a disturbing history. “The investigation narrowed down to one person specifically and his close circle of friends,” Binarelli told us. Pacciani had once killed another man out of jealousy and had been known for abusing his wife and daughters. While Pacciani was convicted in 1994, his sentence was overturned in 1996 due to insufficient evidence.

Adding to the surreal nature of the case, Pacciani created works of art that disturbed the people around him. “Despite being almost illiterate, he had an interesting collection of drawings, and if you see them, they give you chills…” He also wrote poems and read one about brotherhood and love to the court during his trial. “Imagine that,” Binarelli said. “You’re in front of the Supreme Court, answering for eight double murders, and you’re reciting poetry. Something … it’s off.”

Fear, Conspiracy, and Cultural Reflection

The atmosphere in Florence during the years of the murders was palpable. Locals avoided the countryside, and couples were terrified to go out at night. Conspiracy theories flourished—some claiming that Pacciani was merely a pawn for a secret society involved in ritual killings.

Binarelli elaborated, “It was a great opportunity for fictional writers and journalists – they have many conspiracy theories now.”

American crime writer Douglas Preston famously got caught up in the case while researching in Florence. His book, The Monster of Florence, helped revive international interest, including a speculative link to the Zodiac Killer. Though no solid evidence ever backed this connection, the eerie similarities between the two killers only fueled the fire.

A Lasting Legacy

Beyond the crimes, the case peeled back layers of Tuscany’s cultural identity. “You have the judges: educated Florentines on one side, and on the other, Pietro and his friends, uneducated, rude, and when they were interrogated, they exposed the truths of their places.”

He continued, “Florence is sort of the light in the dark for human civilization. It’s interesting to see this inner struggle in the person of Piaccani, he was a brutal, violent person, a beast, but a beast with creative thoughts. That made him the perfect serial killer.”

Today, the Monster of Florence case remains officially unsolved. An upcoming Netflix docuseries has reignited interest and is set to be available this coming Fall. However, Binarelli says he’s weary about its historical accuracy: “If it’s only four episodes, that’s a lot to cram. I appreciate the artistic reenactment of things, but sometimes they are inaccurate or culturally distant.”

Most of the tourists who come to Florence for its beauty, art, and history will never know the story that took place in the rolling hills above town. The legacy of Il Mostro di Firenze is a chilling reminder that even the most beautiful places can be harbors of darkness.

My Favorite Outdoor Florentine Spaces

A personal guide on where to be productive in Florence

written by Tyler Kirwan for SPEL Journalism

As of writing this I have less than 12 days left in Florence. While my dwindling time is upsetting, I have been lucky enough to discover some of the beautiful places the city has to offer. When I am not in class, or working for my internship, I enjoy reading, journaling, or just people watching outdoors in the sun-soaked city I have been able to call home for the past few months. I am someone who loses focus quite easily, and it is important for me to be able to be out of my home when I want to be productive. In the states, I spend most of my time when not in class, sitting in coffee shops. Italian culture is a little different when it comes to working in public, particularly coffee shops, and it is less common here to sit inside for a long while and work. The first few weeks I spent here I was overwhelmed with choices on where to spend my leisure time. Now that I have explored more of Florence, I have my version of a comprehensive list of my favorite places. Hopefully anyone reading this can take my advice and give these places a try, especially if they live in the same corner of Florence as I do.

While this list is in no particular order, I am currently writing this from the ‘Piazza Delle Murate,’ so I shall highlight it first. This Piazza contains a coffee shop/restaurant, and the entrance to the Murate Art District – a museum I would highly recommend. I discovered this space after being assigned to write about an exhibit opening at the museum. The coffee shop has Wi-Fi that extends out to the Piazza and I love getting a coffee and sitting outside and reading or writing. There are a lot of tables to sit at, and bringing a friend and having a conversation in the sun is wonderful.

Another one of my favorite locations is ‘Piazza Sant’Ambrogio.’ This Piazza is fun during the day but especially lively during the night. On any given day of the week all types of people are standing around with a drink and their friends chatting it up. This little area is a great place to meet new people, and I enjoy sitting on the church steps with my roommates. We live very close to this square and most nights, at some point we are spending time there. During the day the Piazza is nice as well and features a coffee shop on the corner that is a great place to study, with multiple restaurants very close.

Down the street is another great place called ‘Piazza dei Ciompi.’ The Piazza is surrounded by restaurants, places to drink and has free Wi-Fi. The centerpiece of the Piazza is a set of steps with columns and a roof. I sit on these steps all the time to read or eat a snack I bought nearby. There is a park behind the columns that also features a vintage market surrounding it on some occasions. My roommates have been able to find some nice stuff at the market, so for that reason alone this Piazza is definitely a great place to check out.

Switching from Piazzas, the next place on my list is my favorite park in Florence. ‘Parco Giochi,’ has beautiful trees surrounding it, and plenty of benches to soak up the sun and read a good book. The park also has a playground and a basketball court if either of those things suit your mood. There is even a merry go round in the center which I find quite sweet. If the benches are ever full there is some grass where I personally have napped during a warm day.

The ‘Giardino Lungarno del Tempio’ is a small park located on the riverbank of the Arno. This park is a great place to hang out with a book or with some friends, and at sunset the view of the Ponte Vecchio is phenomenal. One side note is that there is no Wi-Fi. So no laptop work, but definitely a great place to read a book and look at Florence from a unique viewpoint by the water.

The final location on my list of favorite places is actually on the opposite side of Florence than all the previous mentioned. ‘Orti del Parnaso,’ is a city park that looks over all of Florence. This park is easy to get to, as you can either walk there, or take the tram to the ‘Liberta-Parterre’ stop. This is my preferred method as I live a distance from the park, but the view is always worth the trek. Besides the view, the park itself is nice, and has some sculptures and plenty of benches to relax at.

Hopefully my recommendations are helpful to anyone reading and they can enjoy some of what makes these places so special to me. All I have left to say is, go outside, enjoy the beautiful city, and soak up some sun.

Florence’s Urban Art Display: Street Levels Gallery

written by Sarah Minemier

Funky, colorful graffiti art fills the streets of Florence. As you weave through historical buildings, you may notice cartoon elves, strangely proportioned animals, or just typical graffiti tags. Even if you’re not an artist, you’ll soon recognize that Florence’s graffiti art is part of the city’s beauty, and a popular way its residents artistically express themselves. Yet, in Italy, graffiti remains illegal, and is still ultimately seen as vandalism of public spaces.

The Street Levels Gallery provides a safe space for urban artists to come together, share their artwork, and send important messages without any fear of legal repercussions. The name and backstory are straightforward – Street Levels Gallery remains on the street level, hence the name, accessible to all, and intended to create an environment most similar to that of genuine street art. “You can’t take art off the street,” said Sophia Bonacchi, co-founder of the gallery. “If you take it off the street, it’s something else. It’s not urban art anymore.” Bonacchi mentioned other art galleries in Florence feature public urban art, but some are underground, or feature a more enclosed layout.

Inside the gallery, like any other gallery, artists form exhibitions.

“We have three to four proper exhibitions per year, but in-between, we do our own setups with artworks from our deposit,” noted Bonacchi. Luckily, for current Florence residents and non-residents alike, there is an exhibition on display right now.

“Di Mondi Lontanissimi” is a collection by Italian street art group Guerrilla Spam, featuring mostly paintings inspired by the bold colors and expressive style of Renaissance artist Pontormo. These factors are evident in Guerrilla Spam’s work. Upon entering Street Levels Gallery, you’ll be greeted with colorful pastel paintings, an iron installation, and shiny plexiglass creations, each of which contains culturally significant symbolism and geometric designs.

The Street Levels Gallery draws its artists from an established pool of mostly Italian urban artists. Solo art exhibitions aren’t necessarily the norm; another recent exhibition featured the contributions of nineteen artists total. Bonacchi tells us that artists within the realm of urban art are well-connected, and finding artists to display is rarely an issue. “The urban art movement is very limited to a few kinds of artists, because you have to have certain features. We know the artists of these movements, and select artists we have known for a long time,” explained Bonacchi. To scout out potential new artists, members of the Street Levels Gallery also regularly attend urban art fairs, and read graffiti art magazines.

Even if you are not a habitual gallery enjoyer, I urge you to visit if you get the chance. As someone who is not particularly artistically inclined, I was immediately drawn in simply by the aesthetically pleasing use of color. Exhibitions typically last three weeks, yet the current exhibition has been extended past its initial end date, and is now scheduled to end on June 22nd. If you’re in or planning to be in Florence this weekend, I highly recommend stopping by the gallery located at Via Palazzuolo, 74AR, 50123 Firenze FI.

Piazza D’Azeglio: The Heartbeat of Florence’s Underground Past

written by Emily Gibson

An Unexpected Encounter

How did I end up here, and what do I do now that I am? Surely, this is not that enchanted city where nearly 11 million visit annually, I reasoned. Where are the crowds or the music often needed to drown out the noise of the through traffic? “Michelangelo!” called a woman’s voice. I turned to see what art she could be referring to and was met by a young child with blonde hair and blue eyes running joyfully toward a playset. In a place where tourists spend an average of three billion dollars every year, an experience here, inconspicuous within the Florentine jungle, cost me only time.

“It’s hallowed ground,” said former Stanford professor and self-made historian Albert Gidari. “You may not know the history in detail or who died and what they did, but you just know, and that feeling conveys the place, so if you want someplace to just reflect for a few minutes on what life was like and why it was important, that’s what spirit is within that park.”

A Quiet Corner of Buried Defiance

Piazza Massimo D’Azeglio is a quaint 165-year-old square nestled in the corner of Florence’s city center between Campo Di Marte station and Sant’Ambrogio and, at first glance, a seemingly unusual site for a place where mass tourism has taken a toll. The neighborhood is still inhabited by residents where children play, dogs run, friends converse, and the elderly rest, but when I looked around at the beautiful, historical buildings, some embodying the prestigious liberty style, it was hard for me to imagine war was once present for which cause many lives ended there.

I shifted my gaze to the heart of the square where water spurted from the beak of a bronze crane — a symbol of good luck — and I wondered whether luck was enough for those brave men and women who once held anti-fascist meetings right here under the nose of the proponents themselves. I tried to imagine myself where I was, only at a time when deafening uncertainty filled the air.

“Anyone hiding material of any kind useful to the German Armed Forces or the German Nation is liable to be sentenced to death,” stated the Commander General (qtd. in Supporting Radio CORA: ‘resistant’ Arcetri in the memoirs of Michele Della Corte, 17).

Echoes of Joy Amid Whispers of Loss – WW2

Initially, I did not perceive the tangible references to a WW2 history still pulsing beneath the surface, but when I saw the children chasing one another up and down the paved piazza, I could not help but reflect on the childish games I once played, such as hide and seek, wherein I knew too well the feeling of rushed adrenaline coupled with fear when my hiding places were eventually found out. In the end, though, it was just a game, and my enemies were still my friends.

Hence, I struggled to picture the square before the 1940s, when there were large iron gates filling the space where the sidewalks now reside, making the park an impossible hideout for 80 years. When the square finally experienced newfound freedom, it came at the expense of Florence’s citizens. The gates were donated and melted to make the weapons forging the real gates around the freedoms of the people as uniformed soldiers of the Nazi Regime filled the city, stripping away what I have often taken for granted: safety, basic rights, and life itself. Many, I learned, would surrender to their cause, but others would stand in opposition, risking it all for hope.

A Final Transmission of Hope

A wise man once proved there is no greater love than for a man to lay down his life for a friend. Thus, what Resistance leaders Enrico Bocci, Italo Piccagli, and Luigi Morandi, among others, did on behalf of their friends and beloved city was nothing short of great love. On the fateful day of June 7, 1944, Nazi soldiers raided the top floor of Piazza D’Azeglio 12 — the final hiding place of Radio CORA. Therein, resistance men and women endangered their lives to transmit secret messages and hope to the Italian population. The three partisans were captured, tortured, and killed.

I walked to the northeastern side of Piazza D’Azeglio to see for myself what remained of those heroes, and I was met by their bronze memorial. I paused for a moment of silence and reflection.

An Invitation

My money is useless in D’Azeglio because the peace, joy, and freedom the square offers came at an invaluable investment I may never fully understand. Its rich history whispers through the grounds and nearby corners, where the Jewish synagogue still miraculously illuminates the skyline. Nonetheless, individuals visit D’Azeglio for various reasons, such as convenience and fond pastimes like Florentines Tobias Zerella, Anne Whittaker, and Tommaso Tempesti. Others like Gidari, who dedicated years to uncovering the stories of the resistance movement, visit because the historical site still speaks to them today. In any case, D’Azeglio serves as an invitation to enjoy the present and an opportunity to reflect on the past. Amid all Florence has to offer, I have discovered that if one has the time, Piazza D’Azeglio, the heartbeat of Florence’s underground past, offers an experience that mere money cannot afford.

“If you’re there for a week or more and want to breathe in Florence, it’s just such a pleasure to go and sit on a bench for an hour or two with a coffee… and watch the real people that live there enjoying their city, and just imagine what the city was like,” said Gidari.

Tearing Up the Checklist: How Studying Abroad in Florence Redefined My Dreams

A student’s journey from rigid plans to spontaneous gratitude reveals the unexpected beauty of slowing down, connecting deeply, and truly living abroad.

written by Connor McHugh for SPEL Journalism

I left O’Hare Airport in Chicago on a flight to Florence, where I made lists of everything I wanted to see and do while abroad. It included trips, events, restaurants, and everything in between. The longer I was in the air, the higher the anticipation of arriving in Italy grew. For my whole life, I have dreamed of traveling the world and seeing every corner the earth has to offer. Studying abroad was my chance to start those dreams.

I had a very specific idea of the type of experience I thought I would have while abroad. I saw myself being out of Florence 5–6 days a week, traveling to a different country each time with brand-new experiences to show for it. After the first three weeks of the semester and not a single new country visited, I realized I may have been overzealous. However, those first three weeks allowed me to fully immerse myself in the city and community of Florence and begin making connections that would end up lasting.

After that came my first time traveling outside Italy for spring break. From Portugal to France and Switzerland, it was an experience I will never forget. As I traveled from country to country, in awe of the breathtaking landscapes and monuments at each place, I couldn’t help but think about the eight-year-old boy who once dreamed of what I was now doing. At the end of the break, I stood on top of the Swiss Alps with ski poles in hand and thought to myself: How did I ever get so lucky? The air felt like invisible gold on my skin as I relished a moment I had long waited for. It began my mission to make sure I lived every day abroad to the absolute best of my ability. I felt I owed it to everyone in my life who had helped me get to this point. I also owed it to the people who would give anything to be in my position.

Recognizing how fortunate I am to live this way gave me a newfound sense of purpose and direction.

Coming off the best week of my life during spring break came the final 11 weeks of the semester. This is when I began to feel more like an expat living in Florence rather than just a tourist. I became familiar with certain spots in town, getting to know workers and owners of all different kinds. It quickly became apparent that the level of hospitality in Florence is unmatched. Anyone would be glad to strike up a conversation with you and give advice on what it means to live in the city and country.

It was about halfway through the semester when I found myself in an actual routine. I had class and work, different places I would eat on certain days, and I would pick up my bags and travel somewhere for the weekend. That routine became a cornerstone of my time in Florence and made me realize that it’s very easy to make anywhere you live feel like home if you try hard enough. People often talk about being homesick and missing that sense of comfort and belonging. To me, home is a place where I know what I’m doing every day of the week. I find comfort in thinking about the next day and knowing what I’m going to be doing—with new experiences sprinkled in here and there.

Paradoxically, it only feels like home once you start trying new things. That way, you can fully understand what it is you want to continue doing. It’s important to try as many things as you can at least once. Of course, the weekends are when routines should be thrown out the window and used as opportunities to travel and go on new adventures.

As I wrap up my semester abroad, I look back on the things I will remember most about my time and what I’ve learned from it. I learned that the things that will have a lasting impact on me are the moments that made me feel an immense sense of gratitude for the life I’m living. In France, I won’t remember the Eiffel Tower as much as I’ll remember playing soccer with local kids on the street. In Switzerland, I won’t remember any specific tricks I did on my skis, but I’ll remember the feeling of spraying my friend with fresh snow. Across every country and city, the moments that leave a lasting impression are the ones you least expect.

That is the beautiful thing about studying abroad—and life in general. People think that in order to make amazing memories, they have to visit the most luxurious destinations and live lavishly. In reality, the more you connect with the local environment and live in the moment, the more you realize how amazing this experience is.

If I had the chance to meet my former self on that plane five months ago, I would have grabbed that sheet of paper and torn it up in front of him. I would have told him not to be so constrained by expectations and plans—and to live every single moment like it matters.

The CPA’s Role in Florence Subculture

written by Katherine Seiler and Isabella McCarthy

This CPA deep dive is an exclusive bonus installment in our Spring issue of Blending Magazine. After you finish reading, be sure to explore the rest of the magazine online—just follow this link to download the full Spring 2025 edition:
https://jschoolfua.com/images/BM/BM_151.pdf

Origins

The Centro Popolare Autogestito (CPA) is a self-managed, community-driven space that offers a platform for political activism, art, and social movement, contrasting the city’s historical and tourist-centric culture. Founded in the 1980s, it began as an escape from heroin, social isolation, and marginalizations that were often present during these times. The group initially occupied a nursery school in early 1989 and transformed it into a community space where people could gather to address social and political issues. They had to move to a mechanical workshop later in the year, and finally moved into their current building in 2001 after the old school was closed down years prior. Nicolo, a member of the CPA, described the space as “squatters that take over abandoned places”, but this practice can be regarded as a way of the CPA reclaiming unused properties and transforming them into usable, community-driven spaces.

Hub of Creativity and Activity

Over the years, the CPA has evolved, but its core ideals in anti-fascism, community, and artistic expression remain intact and are present throughout its facility. Today, the CPA is a vibrant cultural hub hosting a variety of facilities, including a gym, library, art studio, cinema, and computer spaces. Classes in karate, ceramics, art, and more give people a chance to develop both personally and creatively. These spaces provide members the opportunity to connect, create, and grow.

Through a visit to the ceramics studio, managed by Roberto, we learned that the studio was established six years ago, and it has become a place of creativity and connection for many. The process is simple: pay a small fee, make two pieces to learn the basics, and then create whatever you want. There are no formal teachers; everyone helps one another, and the focus is on learning together. Through regulars like Ciara, Irene, and Vitoria, it became clear how much they valued the sense of community the studio provides. They worked together on each other’s pieces, sharing tips and experiences, fostering a sense of belonging.

Current Day

Visits to the CPA reveal the diversity of its community. Nicolo noted how younger generations would turn to the CPA to utilize study spaces and as an opportunity to socialize. It was mentioned that some children would skip school, hop the fence, and hang out at the CPA instead of being at school. This seems to be a tradition that has continued over time, as many members laughed and remarked, “just like we used to do!”. Though one member said, “The Italian population is not young, so there are a lot fewer young people here,” when talking about the age of people involved with the CPA.

The CPA’s finance model is that almost all activities are free of charge, except for concerts and the initial ceramics fee. The money needed to cover rent and utilities comes from the concert revenue. The CPA ensures that anyone, regardless of financial situation, can access the resources available.

The CPA is also focused on helping the community, as they were instrumental in organizing large-scale food and resource drives during the pandemic. Despite their history of tensions with law enforcement, members of the CPA shared that during the pandemic, the police would give out the CPA’s number to individuals who needed food but could not afford it. At this time, law enforcement recognized the value and importance of some of the work that the CPA does.

Expanding on the relationship with law enforcement, the center has a longstanding reputation for being anti-authoritarian and believing that the police represent an oppressive force. The CPA does not tolerate drugs and believes in alcohol moderation. People do smoke weed within the CPA, and though it is not legal, the cops do not bother people who smoke it on the CPA property.

For many, the CPA provides a space where people can escape, create, and express themselves freely. Despite facing numerous challenges, the CPA continues to thrive, staying true to its core values. It’s a place for the marginalized, the artists, and the activists and a space that has evolved but remains firmly rooted in its commitment to community.

The “Made in Italy” Tag: A Legacy of Quality and The Loss of its Reputation

written by Alison Abbruzzese, Tyler Kirwan, Carla Lewinsky, Kendall Kreidel, Madeline Jacaruso, Justin Turner & Sophia Fitzpatrick

This “Made in Italy” deep dive is an exclusive bonus installment in our Spring issue of Blending Magazine. After you finish reading, be sure to explore the rest of the magazine online—just follow this link to download the full Spring 2025 edition:
https://jschoolfua.com/images/BM/BM_151.pdf

The ‘Made in Italy’ label has long been synonymous with elegance, craftsmanship, and luxury. Originating in the mid-20th century, this designation became a hallmark of superior quality and refined style, positioning Italy as a global leader in fashion. However, while the label continues to hold significant prestige, it faces new challenges in an era dominated by globalization and fast fashion. Today, this well-known label can often be misleading and not representative of authentic Italian products. Misleadingly claiming ‘Made in Italy’ does not just deceive consumers but creates a false narrative of Italian culture, heritage, and values. As a country known for being a leader in fashion and skilled craftsmanship, this deceptive tactic utilized by global mass producers can be incredibly harmful to local artisans and Italian small businesses.

The Birth of ‘Made in Italy’

The ‘Made in Italy’ tag emerged in the 1950s, coinciding with several important reforms in Italian history. In the aftermath of World War II, Italy sought to reform its economy and national identity. Fashion played a crucial role in this transformation as Italian designers began showcasing their collections on international runways. These fashion shows, which gained traction in cities like Florence and Milan, introduced the world to Italian tailoring, detailed fabrics, and exceptional craftsmanship.

During this period, designers such as Emilio Pucci, Salvatore Feragamo, and Giorgio Armani began to shape Italy’s reputation as a hub for high fashion, with its strong attention to detail and innovative designs. By the late 1950s and early 1960s, ‘Made in Italy’ had become a mark of prominence, attracting consumers who sought a premium quality and exclusivity in their clothing.

The ‘Made in Italy’ Campaign of the 1980s

Building on its growing fashion reputation, Italy launched the ‘Made in Italy’ campaign in the 1980s. This initiative was designed to capitalize on the country’s flourishing luxury industry and further establish Italian products as the pinnacle of style and refinement. The campaign was highly successful, positioning Italian brands like Gucci, Prada, Versace, and Dolce & Gabbana as leaders in the global fashion scene. At the heart of the campaign was the idea of selling not just clothing but a sophisticated and exclusive lifestyle. Consumers embraced this concept, driving an increased demand for Italian-made goods and reinforcing the country’s dominance in high fashion. The ‘Made in Italy’ label became a coveted symbol.

The Modern Perception of ‘Made in Italy’

The perception of ‘Made in Italy’ remains highly esteemed, with many consumers willing to pay a premium for products bearing the label. This reputation is built on a legacy of high-quality craftsmanship, exceptional tailoring, and timeless style—qualities that continue to be powerful selling points for Italian brands. Beyond its cultural significance, the label also plays a vital role in Italy’s economy. According to the Clean Clothes Campaign, “In 2021, the textile-clothing-footwear sector contributed approximately €24 billion to Italy’s trade balance, accounting for around 11% of the country’s total export earnings.”

However, the integrity of the ‘Made in Italy’ label has come under increasing scrutiny due to shifts in the global fashion industry. One of the most pressing concerns is the rise of fast fashion, which has fundamentally altered both consumer behavior and industry dynamics. As demand for affordable, trend-driven clothing reaches new heights, many brands have been forced to adapt—sometimes at the expense of quality. In an effort to remain competitive, some companies have begun mass-producing garments with lower-quality materials while still capitalizing on the status associated with the ‘Made in Italy’ name. This growing tension raises important questions about authenticity, sustainability, and the future of Italy’s fashion identity.

Challenges Facing ‘Made in Italy’ Today

While the ‘Made in Italy’ label continues to carry weight, several factors have led to its dilution. Some brands exploit legal loopholes to use the ‘Made in Italy’ tag without following traditional standards. In some cases, only the final touches of a product are completed in Italy, allowing companies to label them as Italian-made despite most of the production occurring elsewhere. With these issues occurring, the fashion industry began a significant shift from custom tailoring to ready-to-wear clothing. While Italy once dominated the luxury tailoring market, the increasing preference for off-the-rack fashion has reduced the exclusivity of Italian craftsmanship.

Preserving the Prestige of ‘Made in Italy’

To maintain the integrity of the ‘Made in Italy’ label, industry leaders and policymakers must take steps to protect its authenticity. Stricter regulations on the use of the label could help prevent its exploitation and ensure that only genuinely Italian-made products have the mark.

Additionally, supporting traditional craftsmanship through government incentives and industry collaboration can help keep Italy’s reputation for excellence in fashion. Moreover, embracing sustainable and ethical production practices could bring back the appeal of ‘Made in Italy’ in today’s fashion landscape. As consumers become more conscious of quality and sustainability, Italian brands that emphasize authentic craftsmanship and responsible sourcing may regain their competitive edge.

The ‘Made in Italy’ tag represents a legacy of fashion excellence. While it continues to carry prominence, it faces significant challenges in a rapidly evolving fashion industry. Mass production and fast fashion may dilute its authenticity and undermine its value; however, with the right measures, Italy can safeguard and even bolster the prestige of its most celebrated label.