The Beating Heart Above Florence

A place where sunsets, cameras and people meet to be present

This blog feature is an exclusive bonus installment to our Fall 2025 issue of Blending Magazine. After you finish reading, be sure to explore the rest of the magazine online—just follow this link to download the full Fall 2025 edition:
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written by Maëlys Brunet

As the city slowly changes from season to season, we are constantly reminded of Piazzale Michelangelo as the beating heart of Florence. Especially during the summer months. The Piazzale remains alive through both tourists and locals, particularly at sunset, as wanderers gather on the steps with a simple glass of wine to listen to a band’s music or take pictures as a souvenir of the moment, as time pauses, just for a moment. This Florence phenomenon stirs curiosity about the aura the city holds in people’s hearts, a current that pulses through and unites communities. 

Piazzale Michelangelo seems nowadays as a rite of passage, a go-to place when visiting Florence to admire the city’s iconic skyline. But what about its history? Built in 1869 by Giuseppe Poggi, it was originally meant to just be a terrace, celebrating Michelangelo’s art. A representation of progress, but also modernity and the future, as Florence was the capital of Italy during that time. Nowadays, we see Piazzale Michelangelo as a place to slow down, reconnect to the beauty of the city, with a crowd to accompany us into this poetic journey. 

The typical route to Piazzale Michelangelo is just as memorable as the view itself. Beginning from the tower of San Niccolò, take the ascending stairs and path between the large trees. The climb begins as we slowly rise above the city of Florence, in anticipation of the view that awaits, as if leading towards something sacred. Then, the main terrace appears, the crowd gets denser, and the city spreads below. In the golden hour of the evening, music plays in the background and people dance to its infectious beat. Monuments wear orange and yellow as the sun begins to set, offering the perfect moment for multiple photoshoots to spontaneously appear. Phones and digital cameras alike click with the same rhythm as conversation or laughs. 

Piazzale Michelangelo is the place where multiple generations meet to capture the essence of Florence. As a guitarist tunes his strings, he shares that although the people there always change, the sunset and view remain a constant. There is poetry when we stare at the landscape, thinking it was approximately the same view as the one our ancestors looked out at centuries ago. People at first come for a simple view, then leave with memories, connections and hearts filled with emotion. Here the sunset isn’t edited, it is put on display, shown in its raw form to its audience.

Looking away from the view and back towards the crowd, students share a bottle of wine, while pizzas are eaten by a family visiting from abroad. All the while, social media enthusiasts are trying to capture the perfect shot. A couple stairs down, people listen to music, dance to the rhythm of guitars and saxophones, and cheers can be heard for a couple that just got engaged. This place holds authentic moments of life and connection that will never be forgotten. 

As night approaches, some remain while others venture further, all the way to San Miniato al Monte – a hidden place above Piazzale Michelangelo – to admire the city from a similar perspective. Apart from the overwhelming crowd and movement, you find peace and quietness, almost like coming out of a dream. Two different atmospheres but only a single feeling remains unchanged: reassurance and interaction. 

In those small interactions, it is where Piazzale Michelangelo holds its core, being something rare and precious to keep hold of. A moment apart from digital, inviting those that gather to be there mentally, with your own thoughts, to live in the moment rather than posting it. The space gathers both past and present. Life and art coexist around a skyline view, with a community to share the same moment with, just for a couple of minutes… or even a couple of hours. 

In an age of constant digital scrolling, Piazzale Michelangelo remains a symbol of the contrary. Not every view needs to be shared or posted on social media, as it must be experienced and lived through the senses and presence of people around us. The difference lies in the fact that the beauty of the square can be shared through both photos and memory, however those emotions we feel when in its presence, cannot be replicated on the digital screen.

When we look at Piazzale Michelangelo, we can see its beauty in the different communities it brings together. Some live in the moment, as a break, an aside, a moment apart from the fast pace of life. We take this moment to slow down, take a step back, and enjoy the present moment with friends, family, or alone. Others may take advantage of the moment by capturing a memory, particularly through digital means, engaging in an online community.

Piazzale Michelangelo explores the possibilities and redefines the opportunity to come together as a community, whether in-person or virtually. This place in Florence demonstrates a new perception of what a community can be, beyond what we are used to seeing, while continuing on the same path of harmony and the search for unforgettable moments. 

David’s Right Hand

david-michelangelo-florence-fua

By Jess Mitchell
Photo courtesy of FUA

More than the paintings, more than the architecture, nothing fascinated me more than David’s right hand.

It was the veins that interested me. They slithered down his arm and bulged around his knuckles. They were different from the veins that popped out of the papery skin of the elderly. These veins were visible because of strain, I thought, the work of a shepherd. I wanted to run my finger along the hand and feel the life that pulsed from it.

Art is like magic. It draws on the life we know and adds elements from another place or dimension or world, so that when we walk past a piece, the familiar and the alien work together to capture our attention.

It took a while for that magic to work on me when I went to the Uffizi and Academia. But then I met David. The hand, the veins, the eyes that you wished would glance at you, they wove a story together. There was a sense of life, of a miracle, right before me, and it demanded a response.

My response was to become a photojournalist.

Throughout the Academia and Uffizi, I began to see the statues and paintings as snapshots in time. They were the best types of models because they never sneezed or blinked. I could shoot around them, stare at them for uncomfortably long periods of time, and dig up their stories. David’s story was that he had arrived at the stream to pick his stones to fight Goliath, and he paused in his work to survey his home as he prepared for battle.

Art asks us to meet it halfway, in a special place between reality and imagination. I met art through a right hand, a camera, and a story. And through them, I saw beauty.

Suggestions:

The original David statue sculpted by Michelangelo is housed at the Galleria dell’Accademia. Copies of the statue can be also admired in panoramic locations such as Palazzo Vecchio (where it was originally placed) and Piazzale Michelangelo.

Details on the background, creative process, and historic currents of Michelangelo’s David provided by the Accademica can be consulted before visiting the statue.

See more of Florence at FUA’s FB, Instagram, and Twitter.