Art’s Greatest Spy: Exploring the Museo Casa Siviero

FUA digital writing students visit Casa Siviero. Photo by Beatrice Santini.
FUA digital writing students visit Casa Siviero. Photo by Beatrice Santini.

By Leeya Mengistu

A Florentine home-turned-museum houses the intriguing story of a man whose involvement in WWII and fascism in Italy made a priceless contribution to Italian art.

Lungarno Serristori 1 is nondescript in the way that every historical home in Florence blends into the Renaissance landscape of the city. The exterior is a faded shade of yellow. The front courtyard is shaded by trees and the driveway covered in gravel. The building itself is styled the typical Florentine architecture. But the former owner of the home, as well as the treasures that lie inside, are what draws visitors from around the world.

Meticulously cared for by the Amici dei Musei e dei Monumenti Fiorentini, the Museo Casa Siviero hosts the memory and history of classical art’s 007 figure: a man whose reputation as a smartly dressed, valiant ladies’ man is surprisingly much less known than James Bond’s.

Rodolfo Siviero’s two-story estate is home to an exciting legacy. The basement holds a museum of his life and achievements, while the main floor holds the personal art collection of Siviero, who wanted to be remembered for his achievements as a collector as well as his achievements as a spy. The pieces include weapons, paintings, sculptures whose cultural and historical significance attributed to their owner are priceless.

But how did a failed art historian become a national hero?

Siviero, born in 1911, began as a humble humanistic studies major at the University of Florence with dreams of working in art history. Instead, life led him to the fascist Italian secret service, where he became an agent going undercover to recover beloved pieces from the Nazi party. His largest mission in 1937 brought him to Berlin, where he collected intelligence undercover as a persona very close to himself: a student pursuing art history.

A few years later, Siviero joined the resistance in Italy and became an anti-fascist. He began to monitor the movements of artwork stolen by the Germans. This time he worked from the home at Lungarno Serristori after previous owner and dear friend, Jewish artist Giorgio Castelfranco, fled Florence in fear of the incoming Nazis.

It wasn’t long before he was captured and tortured in the Villa Triste, or the Sad House, by the Fascist military in 1944. Committed to the role, he resisted relentless interrogation and won back his freedom. Even today it is still unknown whether Siviero himself was truly with or against the National Fascist Party.

Of course, Siviero’s work was not in vain. Around 200 pieces of artwork recovered by the spy are currently hosted or archived in Florence’s world-famous Uffizi Gallery.

Although anxious to secure his status in the Italian art history world, Siviero remained an obscure figure during his time. An interesting fact, he loved women and a letter to Hollywood’s popular blonde bombshell, Jean Harlow, was reciprocated with autographed photo. Siviero eventually retired his life of espionage and returned to a traditional job in the arts: President of the Accademica delle Arti del Disegno. He maintained the position until his death in 1983, and his home was given to the Tuscan Region in order to keep the legacy alive for generations to come.

Museo Casa Rodolfo Siviero
Lungarno Serristori, 1-3
Free entry, see the below site for opening times.
www.museocasasiviero.it

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Art History: A Different Perspective

Visitors at the Uffizi. Photo by Jessica Pitocco.
Visitors at the Uffizi. Photo by Jessica Pitocco.

By Nicole DeCosta

Alicia Deakin from London discusses how being in Florence has had a first hand impression on her perspective on Art History.

After the first half of the semester here at Florence University of the Arts, the students seem to be settling in nicely to the bustling lifestyle of classes during the week and exploring on the weekends. Sitting down with 21-year-old Alicia Deakin from Suffolk, England we discussed how she has had to adapt to this cultural change and new lifestyle.

With classes taking place Monday through Friday, Deakin said that her art history class is held twice a week.

“I’m happy that the class meets twice a week. Originally I found myself comparing my schedule to other semester students taking once a week classes, but I quickly realized just how much I enjoyed the class,” said Deakin. “I was feeling super lucky to be able explore the city of Florence and take part in the included field learning city activities offered through the class.”

Taking an art history course through FUA, Deakin said how amazing it was to experience this much raw culture within a class. When asked why this class was her favorite, she said how inspiring it was to be amongst some of the most amazing artwork she’d ever seen.

“Offering me new skills that I have not used in sometime, because I had taken a few years off from University, this class provides me an opportunity to study a new topic that both interests me and excites me,” said Deakin.

Noting the high quality education being provided to her through FUA, Deakin said, “the difference in my classes here from in London are so drastic, it is important to see how much the professors want to engage with you as students, while also wanting you to have the best possible experience in Florence.”

Since Deakin has never studied art history prior to coming to Florence, she said her favorite part is the novelty of the class, learning new topics, while also being placed within the Florentine environment. Knowing she is able to see the art firsthand, Deakin is thankful for the opportunity that FUA has provided her, and being here has allowed her to open her cultural perspective.

Offering students an opportunity to receive a strong education, while also an experience of a lifetime, including travel, cultural exchanges, and new opportunities, attending FUA, Deakin says, “is a once in a lifetime experience!”

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