By Patricia Hoban
In the Renaissance city of Florence, home to the Uffizi, one of the largest and most famous museums in the world, and pilgrimage site of artists and art lovers alike, I was impressed not only by the greats such as Michelangelo, Masaccio and Masolino, or Giotto, who I was able view just a few minutes from my apartment. I was especially fascinated by street art, and specifically with an example that I attributed as “the girl with the balloon.”
As I walked to class, I often passed by the image of a stick figure with a hand outstretched, grasping at a red balloon. I have studied Banksy at my home university, and know this to be a copy of his work. Banksy, for those of you who are unfamiliar with him, is an anonymous street artist who uses the city as his canvas. The art he creates sends a message to its viewers and brings attention to the problems that are silenced or ignored by society. What does the balloon symbolize, and is the stick figure reaching for it, or letting it go? Each day as I walked by the piece, I juggled with possible meanings.
I, a student who was studying in a foreign country, interpreted the piece to be a girl lost somewhere between holding onto her cultural habits, childhood, and comforts, and letting them go to adopt a new Italian lifestyle. In the beginning of the semester in Florence, I almost always saw the girl reaching for the balloon and holding it tightly. However, as the semester progressed and as I became more confident in providing tourists with directions and grocery shopping at my neighborhood supermarket, what I saw was not a girl reaching for a balloon, but one letting go.